|
Common and
separate media space - writing and reading newspapers
Editorial by Henrik Stenius
Recently, I came across the interesting fact that British and Irish journalists share
the same trade union. The National Union of Journalists, established in 1907, has worked
in both countries since 1941. To my mind, the fact that journalists in England, Wales,
Scotland, Northern Ireland and the Republic of Ireland don't need independent unions
raises fascinating questions about common and separate public/media space. I feel tempted
to consider in what sense the public sphere is shared in the British and Irish islands and
make comparisons with the spirit of community in the Nordic countries.
Irish journalists, as well as the Scottish, English and Welsh, look upon the world in
their own way. They write for different kinds of newspapers and produce different kinds of
regional agendas. It is also obvious that there is not just one single arena in which to
compete for political influence. One important arena is concentrated around Westminster
and another around the Dáil. If one insists, like I am inclined to do, on talking about a
common British and Irish cultural and media sphere, one has to emphasise very strongly
that the space is pillarised (a metaphor often used for describing the separate Protestant
and Catholic sectors in Dutch society), with a separate British political, cultural and
media pillar and a separate Irish one.
The newspapermen and women on these islands still have only one union. They probably feel
comfortable with it because they share so many other things. During their career they may
work in more than one region of these islands. They read without difficulty each others'
newspapers because the symbols, topics, names and cultural codes are commonly known.
Anything of this sort would be impossible in the Nordic countries. This kind of community
does not exist. We can only read each others' newspapers with difficulty.
When Richard Kearney describes the British and Irish type of nations in his book Postnationalist
Ireland, he uses the metaphor hyphenated nations to indicate that on a deeper level
they have something profound in common. In order to understand one of the two cultures,
one has to integrate the story of the other. One cannot write an intelligent history of
England without dealing thoroughly with the history of Ireland. In the Nordic countries
the situation is different. When you write the history of Finland, you do not need to
mention Norway.
The Nordic spirit of community is different. Of course there are important institutional
links between journalists in the Nordic countries in the same way that links exist in all
sectors of society in these countries. Unions in different Nordic countries decided to
have a common platform to discuss issues of importance. This is the pattern of every
sector of Nordic societies. It is worth mentioning that when representatives of some of
these sectors have their annual meeting, they do not discuss the question of being a
Nordic citizen. That question just does not occur. The Nordic meetings simply provide
cost-effective methods to reflect on one's own professional field from a comparative
angle.
The "hyphenated nations syndrome" is not unknown within the Nordic countries: we
have had Sweden-Finland, Denmark-Norway, Denmark-Iceland and, in a weaker sense,
Sweden-Norway. But it is by no means "the hyphen syndrome" that creates the
common Nordic identity. The Nordic countries share another kind of deep historical linkage
which is lacking in Irish-British relations. Regardless of whether the Nordic citizens
feel that they are members of a Nordic family, they nevertheless look upon the world in
the same way. They share the same value system which is rooted in common historical
experiences as part of a uniform Lutheran culture, where the culture, the state and the
church were inseparable parts of a cohesive social structure. The Nordic countries share a
value system, but they do not have a common media/public sphere.
Political culture in all Nordic countries passes through a Nordic filter. Having different
strategic solutions, being independent nations, the neighbouring Nordic countries still
are the first 'other'. In all sections of society, from the legislative processes in the
parliaments to the communication among the grass-root voluntary associations, the
decisions are made only after the issues have been debated in a Nordic arena, filtered
through a Nordic context. An essential part of the national culture consists of this
Nordic filter.
I find it fascinating to note that the same kind of filter of horizontal communication and
collective reflection also exists in the realm of the old British Empire in the form of
the British Commonwealth. Writing in the New European, the Secretary General of the
Commonwealth, His Excellency Chief Emeka Anyaoku gives a vivid description of his
organisation as an institution that is not a trading block nor a strategic alliance, one
that is without a dominant member and without a complex and hierarchical bureaucracy. It
is an organisation behind which "lies a vast network of people-to-people contacts.
The Commonwealth is not just an association of governments. It is as much an association
of peoples. The fabric of the Commonwealth is a broad tapestry of personal, professional,
educational and even sporting ties. The pattern of this relationship (...) is
informality". The Commonwealth is partly inside, partly outside the European Union.
It is one of the most interesting organisations in the modern world.
The biggest difference between the Commonwealth and the Nordic countries is that the
participants in Nordic co-operation are socially and culturally very similar.
Dr Henrik Stenius
Director
See also:
|